The City Hall clock

Guelph, like most Canadian cities, has featured a number of prominent city clocks. As Marc Boileau observes in his book "Towers of time" (2006), clocks were often regarded as public works, that is, as a service that the builder rendered to the citizenry. A centrally controlled clock could, in effect, broadcast the official time to everyone in the vicinity. This function was especially important before the development of standard time and time zones, when each city determined local time for itself.

In Guelph, the first civic clock was a sundial situated on the stump of a maple tree that John Galt and his party cut down to officially found the settlement. Of course, such an arrangement was neither durable nor equal to the dignity of the town as it grew from a clearing in the woods to a regional centre.

During 1856, a handsome city hall was built in the Market Square, at what is now 59 Carden St. Designed by the prolific architect William Thomas, the structure included a short dome with a clock. There are no postcards of this structure (postcards were introduced much later), but it is nicely visible in the 1867 photograph below.

(Courtesy of Leanne Piper)

The time is not legible, but two of the clock faces are visible just below the top of the dome. The placement of the clock at the utmost possible height suggests its official function, namely to broadcast the correct time throughout the area. At the same time, the placement also helps the building to play its role as the regulator of the community. The clock faces not only show the time, they also survey their surroundings almost as if they were real faces.

In 1869, this original tower was replaced by an even taller and more prominent one. Stewart (1976, vol. 1, p. 83) states that the old dome had begun to leak and needed attention. This issue seems to have given the people in charge a reason to increase the importance of their building even further. David Allen comments (1939/2012, p. 86):

We of today can only guess the reason for this alteration, but, for one thing, taller buildings began to arise in that section [of town], and the increased height would allow more freedom for sounds of the bell to float above them, and, then again, faces of the clock could be seen from a greater distance, as the new buildings surrounding obscured the view.

Buildings sometimes compete for prominence in height (height makes right?), and Guelph's City Hall seems to have been no exception.

The City Hall with its new belfry is nicely displayed in this postcard from ca. 1900:

(Courtesy The City of Guelph)

The card is labelled "City Hall and Winter Fair Building, Guelph, Ont." and was published by Valentine & Sons. From what I can see by comparing this card with the photo above, it does not appear that the clock faces attained much more height as a result of incorporation into the new tower. However, the belfry is significantly higher, suggesting that Allen was right when he emphasized the sonic function of the new structure.

In any event, the entire tower was removed on August 8, 1961. Its absence is unlamented, as its assertive verticality seemed at odds with the horizontality of the rest of the structure, as noted in the Historic Places website:

Thomas placed a central, squat round clock tower on the roof that was replaced twice during subsequent years. Unfortunately these taller versions altered Thomas' thoughtful proportions and projected from the roof line at a rather obtrusive height. The tower was removed altogether in 1961.

Besides aesthetics, it may also be that no one could see any reason to maintain the tower when its clock and bell were no longer useful nor symbolic of the building's station in the civic order.

The post-tower appearance of City Hall is shown in this postcard from ca. 1970:

(Courtesy The City of Guelph)

All that remains is a scrawny, white flagpole.

Here is the Google Street View photo of the City Hall. It is a bit nasty since the site was under construction at the time.

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A better idea of the history of the City Hall, and its current condition, can be found at this very nice slideshow.

More on Guelph's civic clocks to come!

Bowling for dollars!

I suspect that the the title of this post will have readers scratching their heads. What does "Bowling for dollars" (BFD) have to do with Guelph postcards? Let me explain, beginning with BFD itself.

As noted on its Wikipedia page, Bowling for dollars was an American game show where contestants would bowl to win prize money. It seems to have originated in the late 1960s, and reached its zenith in the mid 1970s. Each station that aired the show ran its own version, but the format was largely the same everywhere:

The show's main set consisted of a sliding door from which the host emerged, as did the contestants, one-by-one. There was also a Jackpot light with a numeric display of its value, and a Pin Pal hopper. There were also stands set up for an audience.

Each contestant was briefly interviewed by the host and would then point out their family in the audience before the game commenced. They would then bowl two balls, and receive a prize depending on the number of pins knocked down. There was extra money for strikes and spares, and a special Jackpot for any bowler who bowled two strikes in a row.

You can get the idea from this clip from the WTAE Pittsburgh station:

You may have noticed that, after the introductions, Lori opened a hopper filled with postcards. Viewers of the show were encouraged to send postcards identifying themselves to the station. Each week, the postcards received were placed in the hopper and each contestant would pick one out. The person named on the selected card was the "Pin Pal", who would win the same amount as the contestant. The postcards served to allow viewers at home to take part in the excitement.

Two postcards in my collection were used to enter Guelphites as Pin Pals. The first postcard has on its front a photo of picnickers enjoying Riverside Park.

On the back, the card is identified as a "Traveltime product", distributed by the "Kitchener News Co. Ltd.", using the Colurychrome process. The scene is labelled as "Silver Creek Park // Guelph, Ontario // Picnic and playground area". This is confusing because, today, Silvercreek Park comprises the banks of the Speed River in the city's downtown, near Edinburgh Road. In the early 1970s, however, it seems to have denoted the southern half of what is now Riverside Park in the north end. Or, perhaps the producer was confused.

In any event, the card is addressed to: "Pin Pal // WGR TV // Box 5000 Niagara Square Station // Buffalo NY // 14202." The addressee is identified as, "Mary Pratt // 33 Inverness Dr. // Guelph Ont." The postmark is too faint to read, but might be 1978 or 1979.

The second postcard has a photo of the old OAC Biology Building, where I believe the OVC Pathology Building now stands.

On the back, the card is identified by its logo as another Traveltime product from Kitchener. The scene is labelled as "Biology Building // Guelph University // Guelph, Ontario." The card is also addressed to "Pin Pal" at WGR TV, and the addressee is "Norm. Harrison // 4 Sunnylea Cres. // Ap. 1 // Guelph Ont. // Can." The postmark reads "3 VII, 1978".

I wonder if Mary or Norm won anything.

Evidently, Guelphites were treated to the Buffalo edition of the show, hosted by Ed Kilgore who, as it happens, just recently left WGRZ Buffalo after 40 years. Ed's picture was put in the announcement of the show at its inception, placed in the Toronto Star on December 26, 1972. Check it out.

Although the heyday of the show belongs now to the distant past, it is still fixed in the memories of many. It has, for example, become a paradigm for interactive entertainment, as noted here in the Guelph Mercury (Oct. 16, 2001):

Undaunted, their [the NHL's] recommendations include elimination of on-ice activities, restriction of fireworks and laser shows where smoke or mist is a no-no. This is directed at quality ice for the players.
It's obvious this means curtailing the popular, between periods, "bowling for dollars," the sling-shotting of humans down the length of the ice into giant inflatable pins. These people are randomly selected dopes who come out of the stands with the express purpose of winning pizza and nachos for their entire row of seats.

Also, it has become an activity useful for charity fundraising, as exemplified in this item from the Kitchener Post (June 14, 2012) in an article entitled "Bowling for Dollars":

The Kitchener Lawn Bowling Club is holding a special fundraising event on June 16 in support of St. Mary's General Hospital. Funds raised will be used to purchase a portable pulse oximetry machine for the hospital's sixth-floor chest unit.

All in good fun!

Never the most gripping of shows, BFD became a byword for tedious, crass, or low-brow entertainment among some observers. Here are some interesting mentions from the Toronto Star. The first is from Would you rather (a) sleep or (b) vote? (Gary Lautens; May 24, 1977):

During paid political announcements on TV that interrupt your favorite programs, do you (a) use the time for a trip to the washroom, (b) draw a moustache on your TV screen with magic marker, (c) switch to another channel in the hope of getting Bowling for Dollars, Polka Time, or a Tide commercial instead?

The second is from Without rock, it’s tepid TV (Margaret Daly; Feb. 16, 1979):

This show [the Grammy Awards] had more sequined tuxedos than a Liberace lookalike contest. The moments of victory had all the class and none of the spontaneity of Bowling for Dollars, and the musical numbers were performed with the vitality and vibrancy you might expect from a troupe of heroin addicts on the nod.

The last is from At least the news is relatively new (Jim Bawden; July 20, 1983):

Did somebody mention the word ‘reruns’? … How about a special called Bowling for Dollar’s Finest Strikes? Or The Best Hockey Slapshots of 1983? I fear TV programmers are about to unload these on us. Certainly, they’ve tried everything else.

Whatever your view of Bowling for Dollars, it was a bit of popular culture that reached Guelph and left a lasting impression. Plus, it seems to have sold a lot of postcards. How many more Pin Pal cards from Guelph are hidden away in the attics, drawers and albums of the region?

So, if you are a Guelphite who sent in a card—or just have fond memories of the show—post a comment and let us know!

Update (13 July 2013): I just picked up another postcard, also of the Biology Building, also sent to Pin Pals at WGR TV. The postmark is smudged but might be 1978. A good year for Pin Pals, it would seem! This one is from "Mrs. N. Stanley // 40 Derry St. // Guelph" and adds, "Knock them down for yourself and me. Good luck."